During his Noonday Concert on Thursday, Stover played three of his own scores whose strengths are in their subtleties.
allan kozinn
Music review: VentiCordi offers up the obscure with precision, spirit
Among the works the group played Sunday at Woodfords church was Erwin Schulhoff’s Concertino for Flute, Viola and Double Bass.
Concert review: Zapion presents Sufi, Turkish and classical Arabic styles
The group, founded by Bowdoin percussionist Eric LaPerna, plays Middle Eastern music that is deceptively complex.
Concert review: Robert Moody leads Portland Symphony Orchestra bravely into ‘Bluebeard’s Castle’
In this semi-staged performance of the dark opera, the orchestra becomes a character all its own.
Portland Early Music Festival explores the drama of Tancredi and Clorinda
The festival, just one weekend long, offered plenty for fans of fortepianos, lutes and early music, including Monteverdi’s ‘Combattimento.’
Concert review: Despair and love make two parts of ChoralArt show
‘Light Shines Eternal’ told wrenching Holocaust stories then soothed listeners with a work of light and transcendence.
Review: At ‘Becoming American,’ USM Chamber Singers offer space for contemplation
The talk on W.E.B. Du Bois and race in America delivered by Leroy M. Rowe was interspersed by spirituals.
Concert Review: Portland Symphony Orchestra opens season with mission in mind
It continues the three-year Beethoven cycle, plays Respighi and offers a contemporary piece by American composer Mason Bates.
Review: Portland String Quartet pulls from dark currents for a compelling show
After a tricky warm-up, the quartet draws listeners into tales from history that are grim but not without hope.
Concert review: ‘Krazy ‘Bout Kotzschmar’ kept listeners guessing
Australian organist Thomas Heywood is hoping the Friends of the Kotzschmar Organ won’t continue to cut classical recitals from its lineup.