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Allan kozinn

Published
April 10, 2017

Concert review: Back Cove festival highlights what’s in vogue

And, with a program that puts the spotlight on composers and blended music and poetry, that's a good thing.
Published
April 1, 2017

Concert Review: Psalm 42 provides the canvas for multiple composers

St. Mary Schola's 'As Pants the Hart' explores how one text was interpreted over different centuries.
Published
March 24, 2017

Concert Review: DaPonte String Quartet masters Bach, Beethoven and Brahms

The 'Bees in Your Bonnet' concert repeats through Sunday.
Published
March 14, 2017

Robert Moody adds to ‘German Requiem’ to great effect

The Portland Symphony Orchestra's rendition was beautifully played with two short works as prelude.
Published
March 5, 2017

Opera review: Mature vocals do justice to Nicolai’s ‘Merry Wives of Windsor’ at USM

An enthusiastic young cast shows off the region's singing talent in USM's fully staged Opera Workshop performance.

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Published
February 27, 2017

Concert review: If any rock album belongs in an orchestral pops performance, it’s ‘Sgt. Pepper’

But the Portland Symphony Orchestra performance Sunday falls short, in part because of too much chatter.
Published
February 26, 2017

Oratorio Chorale gives Bach star billing, but Schütz holds his own

'Bach +' makes a lively evening of the composers' funeral works.
Published
February 15, 2017

PSO’s Rachmaninoff performance revives an old debate

Robert Moody conducts the abbreviated Rachmaninoff, touching on a long-standing controversy.
Published
January 16, 2017

Guest David Neely conducts the Portland Symphony Orchestra with clarity

Could such a guest performance be a tryout?
Published
January 10, 2017

Portland Chamber Music Festival showcases a political work, of sorts

Andy Vores' 'Dark Days,' which he wrote in response to the presidential election, hits some wrong notes deliberately.