MONTPELIER, Vt. — Colleges and universities worldwide are incorporating into their curriculums the evolving genre of literature that focuses on the changes coming to Earth as the result of climate change — “cli-fi.”
Some of the books and movies now being considered part of the genre are old classics, while others were written more recently in direct response to today’s changing climate.
“It’s a very, very energized time for this where people in literature have just as much to say as people who are in hard science fields, or technology and design fields, or various social-science approaches to these things,” said Jennifer Wicke, an English professor at the University of Virginia who will be teaching a course this June on climate fiction at the Bread Loaf campus of Middlebury College in Ripton, Vermont.
The Bread Loaf School of English is mainly for elementary and high school-level English teachers who can, in turn, take what they learn back to their classrooms to get their students to understand how literature can reflect current events.
“This course gives them a kind of model for helping to create and imagine English courses that will be particularly relevant to helping the young people whom they teach to understand that reading literature, looking at the arts, looking at film isn’t something you do as an aside,” said Bread Loaf school Director Emily Bartels, also a professor of English at New Jersey’s Rutgers University. “It’s something you do as you learn how to navigate your own moment in the 21st century.”
Climate fiction, a term that emerged less than a decade ago, is now being discussed by academics across the nation and world. Next month, about three dozen academics are expected to attend a workshop in Germany called “Between Fact and Fiction: Climate Change Fiction,” hosted by the Hanse-Wissenschaftskolleg Institute for Advanced Study in the northwestern city of Delmenhorst.
The website for the workshop lists some contemporary examples of books that fit the definition: Barbara Kingsolver’s “Flight Behavior,” about an Appalachian town to which confused monarch butterflies have migrated; Nathaniel Rich’s “Odds Against Tomorrow,” the story of a mathematician coping with catastrophe in New York; and Paolo Bacigalupi’s “The Water Knife,” about water wars in the southwestern United States.
Comments are not available on this story. Read more about why we allow commenting on some stories and not on others.
We believe it's important to offer commenting on certain stories as a benefit to our readers. At its best, our comments sections can be a productive platform for readers to engage with our journalism, offer thoughts on coverage and issues, and drive conversation in a respectful, solutions-based way. It's a form of open discourse that can be useful to our community, public officials, journalists and others.
We do not enable comments on everything — exceptions include most crime stories, and coverage involving personal tragedy or sensitive issues that invite personal attacks instead of thoughtful discussion.
You can read more here about our commenting policy and terms of use. More information is also found on our FAQs.
Show less