NEW YORK — “Wonder Woman” conquered milestones and movie myths at North American theaters, where the Patty Jenkins-directed superhero film powered its way to a $100.5 million debut this weekend and became the biggest blockbuster ever directed by a woman.
The well-reviewed movie easily surpassed industry expectations with one of the summer’s biggest debuts, according to studio estimates Sunday. Starring Gal Gadot as the Amazonian warrior princess, “Wonder Woman” is the rare – and most successful – female-led film in an overwhelmingly male superhero landscape.
It proved a hit with moviegoers, earning an A CinemaScore. While skewing somewhat female, it drew a fairly evenly split audience. Warner Bros. said 52 percent of the audience was female and 48 percent male. “Wonder Woman” added $122.5 million internationally, including $38 million in China.
“It shows that superhero movies aren’t just about men. They’re about women as well,” said Jeff Goldstein, distribution chief for Warner Bros. “All the noise about Patty Jenkins breaking the glass ceiling for directors, I think that added to it as well.”
Women have long struggled to get behind the camera of Hollywood’s biggest productions. Female directors accounted for just 9 percent of the 250 top-grossing movies in North America in 2015 and only 7 percent in 2016.
Jenkins, who previously directed 2003’s “Monster” starring Charlize Theron, now holds the record for biggest domestic opening for a female director. The previous mark was “Fifty Shades of Grey,” with $85.1 million in 2015.
Some still had issues with “Wonder Woman.” Online critics complained of gender inequality after the Alamo Drafthouse scheduled a handful of female-only screenings across the country. Lebanon banned the film because Gadot is Israeli.
Nevertheless, “Wonder Woman” represents a turning point for Warner Bros. and DC Comics, which have together struggled in recent years to match the Marvel-Disney juggernaut. While “Wonder Woman” didn’t match “Batman v. Superman” (a $166 million opening) or “Suicide Squad” ($133.7 million), it was much better-received than those roundly derided releases.
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