

But tucked away behind false backs of closets and other clandestine locations in Schoener’s 1798 homestead, 60 more paintings were secreted away.


“There’s some argument about whether he was influenced by her or if she was influenced by him,” Wren said Tuesday.
In any case, new paintings depicting a circus cement an early stylistic connection between Schoener and Ipcar in the cavalcade of horses that follows a bright, red-vested marching band and a parade of elephants.
In 2007, Wren put more than 400 Schoener paintings on display at her gallery in Georgetown and at the Chocolate Church in Bath. In 2008, she looked more carefully through the Georgetown house that remained vacant since Schoener’s death in 1997 and found another 50 paintings.
Six weeks ago, following the death of Schoener’s wife, Virginia Worley, in California, Wren said she was invited to make another sweep of the home before Schoener’s brother, Allon, put the historic Washington Heal House on the market.
The new paintings — in various styles and conditions, on stretched canvas and loose rolls of canvas — will be on public display for the first time for a three-day show this weekend in Georgetown.
The exhibit of recently discovered Schoener works will be open to the public from 10 a.m. to 4 p.m. Friday through Sunday at the West Island Gallery, 37 Bay Point Road.
For more information, visit the gallery website at www.westislandgallery.com.
dfishell@timesrecord.com
Comments are not available on this story. Read more about why we allow commenting on some stories and not on others.
We believe it's important to offer commenting on certain stories as a benefit to our readers. At its best, our comments sections can be a productive platform for readers to engage with our journalism, offer thoughts on coverage and issues, and drive conversation in a respectful, solutions-based way. It's a form of open discourse that can be useful to our community, public officials, journalists and others.
We do not enable comments on everything — exceptions include most crime stories, and coverage involving personal tragedy or sensitive issues that invite personal attacks instead of thoughtful discussion.
You can read more here about our commenting policy and terms of use. More information is also found on our FAQs.
Show less