NEW YORK — The fourth time was the charm for Tony Shalhoub. The actor won his first Tony Award after four nominations.

The USM graduate is perhaps best known for his role as an obsessive-compulsive detective on television’s “Monk.” His Tony for best leading actor in a musical is for “The Band’s Visit.”

In the musical, Shalhoub plays the stiff leader of an Egyptian orchestra which accidentally ends up in the wrong Israeli town. Over the next few hours, the townspeople and the musicians learn about each other and themselves.

Shalhoub’s film credits include “Big Night” and playing a space alien in the “Men in Black” films. His Broadway roles include “Act One” and “Golden Boy.” Other TV shows include “Wings” and “The Marvelous Mrs. Maisel.”

Tony Shalhoub wins Best Actor in a Musical thanking his father and all immigrants: ”May we, their descendants, never lose sight of what they taught us.” #TonyAwards pic.twitter.com/kSMRfLPCXu

— Hollywood Reporter (@THR) June 11, 2018

“I want to connect this moment to a moment that occurred nearly a century ago in 1920 when my father arrived on a boat from Lebanon and first set foot here on Ellis Island. He was then just a boy of 8. Disembarked on Ellis Island just a few short miles from this very spot. So tonight I celebrate him and all of those whose family journeyed before him and with him and after him,” Shaloub said.

Shalhoub beat out Harry Hadden-Paton, Joshua Henry and Ethan Slater.

Elsewhere on Tony night, Andrew Garfield and Nathan Lane won Tony Awards on Sunday for their work in “Angels in America,” Tony Kushner’s monumental drama about life and love during the 1980s.

Garfield, who won his first Tony, plays a young gay man living with AIDS in the sprawling, seven-hour revival opposite Lane, who won his third. Garfield dedicated the win to the LGBTQ community, who he said fought and died for the right to love. He said the play is a rejection of bigotry, shame and oppression.

“We are all sacred and we all belong,” Garfield said. He then referenced last week’s U.S. Supreme Court decision which ruled in favor of a baker’s right to deny a gay couple a wedding cake based on his beliefs.

“(Let’s) just bake a cake for everyone who wants a cake to be baked,” he said to rousing applause. Lane said the play still speaks to society in the midst of “political insanity.”

Portland’s Tyler Micoleau, a Bowdoin College graduate, nabbed his first Tony for Best Lighting Design of a Musical for “The Band’s Visit.” The musical also stars John Cariani, who grew up in northern Maine and wrote the play “Almost, Maine.”

“Rosanne” star Laurie Metcalf won the award for best featured actress in a play for her work in a revival of Edward Albee’s “Three Tall Women.”

Billy Joel gave his friend Bruce Springsteen a special Tony Award. “This is deeply appreciated, and thanks for making me feel so welcome on your block,” The Boss said. Later, Springsteen will perform “My Hometown” on the piano from his sold-out one-man show.

USM graduate Tony Shalhoub poses in the press room with the award for leading actor in a musical for “The Band’s Visit” at the 72nd annual Tony Awards at Radio City Music Hall on Sunday night in New York.

Co-hosts Josh Groban and Sara Bareilles kicked the show off with a self-parodying duet on piano for all the losers out there – including them.

Neither Bareilles nor Groban have won a Grammy or a Tony despite selling millions of albums and appearing on Broadway. They turned that into a playful song.

“Let’s not forget that 90 percent of us leave empty-handed tonight. So this is for the people who lose/Most of us have been in your shoes,” they sang in the upbeat opening number. “This one’s for the loser inside of you.”

Two new musicals lead the nominations for the top Tony Award crown, with Tina Fey’s “Mean Girls” and “SpongeBob SquarePants” receiving 12 nods each. The revival of “Angels in America” has 11 and the two-part play “Harry Potter and the Cursed Child” has 10. Many critics have tapped “The Band’s Visit” as their odds-on favorite to be crowned best new musical.

A selection of “Mean Girls” was near the top of the show, one of several productions that would be featured during the ceremony.

The revival of “Carousel” won two awards – choreography and for Lindsay Mendez, who won best featured actress in a musical. She accepted in tears, recounting that when she moved to New York, she was told to change her last name to Matthews or she wouldn’t work. She said she was happy to be in a production that “celebrates diversity and individuality.” To all artists out there, she said: “Just be your true self and the world will take note.”

Getting buzz from appearing on the telecast can dictate a show’s future, both on Broadway and on tour. Broadway producers will be thankful this year that the telecast won’t have to compete with any NBA Finals or Stanley Cup playoff games.

For most of the previous awards season, shows like the Oscars and Golden Globes have acknowledged the issue of sexual misconduct and abuse of power. Bareilles and Groban will try to do that while also eviscerating any memory of last year’s Tony host, Kevin Spacey, who since then has been accused by at least 24 men of sexual misconduct or assault.

The pair will also hope to end a ratings slide following the 2016 edition that was led by “Hamilton,” which drew 8.73 million viewers. Spacey’s ceremony last year drew 6 million viewers, which represented a drop of approximately 31 percent in total viewers from the previous year.

The show will be a sort of victory lap for a Broadway season that saw grosses hit another record high by pulling in $1.7 billion – up 17.1 percent over last season’s $1.45 billion. Attendance was also up, coming in a 13.79 million, an increase of 3.9 percent at last season’s 13.27 million.